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Love them or hate them, our favorite foul-mouthed kids from the South Park TV show are now available in an online slot, courtesy of Net Entertainment (NetEnt). The digital distribution gaming company has done extremely well with the slot game, replicating the look and feel of the South Park TV. Amazingly, every win is followed by a brief animation by one of the South Park characters. Available in the mobile casino and Mac-friendly via the instant-play casino software offered by NetEnt.
The game features 25 fixed paylines, 5 reels, and all our favorite characters from the TV show — Stan, Eric (Cartman), Kenny, and Kyle, and including A, K, J, and Q.
Moreover, the bonus symbols include a character bonus that activates the features, a red bonus, regular wild, and a Cartman wild.
Wins tend to be small in the base game, but frequent. The wins are mainly lower than the total bet size, but it isn’t a problem as the game, luckily, has more strings to its bow.
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Bonus Features on the South Park Slot
South Park has a number of bonus games that you can play. To activate the bonus feature, you will have to land two of the red bonus symbols on reels 3 and 4 in addition to a character bonus symbol on reel 5, which is not that difficult. The character you land on determines the bonus game that you will play.
Kenny “Don’t Kill Kenny!” Bonus Game – Once again, Kenny is in danger and you are to guide him through some choices which will result in a trap, a multiplier, or a coin win. To be able to win big, get Kenny to the far right of the screen as much as you can. Keep in mind that every time Kenny falls into a trap, he loses a life (you killed Kenny!)
Cartman “Hunt the Hippies!” Bonus Game – The Cartman in this game searches the bushes for the hippies—his sworn enemies. The screen shows a number of hidden options, which you must select in order to reveal a multiplier, a coin win, a bonus game reset symbol, a game over sign, a warning, and if you are lucky, another pick. This is the most lucrative bonus feature with a potentially massive 5,000 times your stake payout.
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Kyle “Kick the Baby!” Free Spins – With this bonus, you get 10 free spins with the Ike wild feature. Get Ike to reel 5, and he’ll hop randomly to one of the 5 tiles available just below the reels. These tiles contain bonuses such as extra free spins, multipliers, and coin wins.
Stan Free Spins Bonus – With the Stan bonus spins, you will win an undefined number of spins. A round starts with a sticky wild on reel three. The wild lasts for 2 spins, and hopefully, you can get other wilds landing on the reels. The round is over when you run out of wilds.
You can also enjoy the mini-features, based on wilds and triggered at random. With the Phillip and Terrance mini features, 3 wilds are randomly placed on reel 2, 3, and 4. Mr. Hankey mini feature has 3 and 5 wilds distributed on reels 1, 3, and 5.
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South Park Slots for Android / iOS / Mac
South Park is available to smartphone users, thanks to its mobile compatibility on the Net Entertainment Touch mobile platform. Incredibly, the game features 8 bonus features, all are as graphical as the next. The in-game bonus features include Kyle’s “Kick the Baby!” Free Spin Bonus, Normal Wild, Terrance and Philip Wild, Beefcake Wild, Mr. Hankey Wild, “Don’t Kill Kenny!” Bonus Game, Stan Free Spins & Sticky Wilds Bonus, and Cartman’s “Hunt the Hippies!” Like the PC slot game, the mobile game features 5 reels, and 25 fixed paylines.
| ' | |
|---|---|
| Author | Jack London |
| Country | United States |
| Language | English |
| Genre(s) | Short story |
| Publication type | Magazine |
| Publisher | Saturday Evening Post |
| Publication date | 1909 |
'The South of the Slot' is a short story by American naturalist writer Jack London (1876–1916). It was first published in The Saturday Evening Post, Vol. 181, May, 1909.[1] In 1914, it was published by Macmillan in a collection of Jack London’s stories, The Strength of the Strong.[2]The title of the story refers to a location in San Francisco, which is now called SOMA, or South of Market.[3]
- 3Major themes
Plot summary[edit]
Freddie Drummond is a sociology professor at Berkeley[clarification needed] leading a rather dull life. He has no friends; he’s very reserved and stiff. He is also engaged to a very wealthy woman by the name of Catherine van Vorst who comes from an aristocratic family.
However, he is fascinated with the south part of San Francisco and starts working there. By impersonating a working person he examines the “south of the slot” to gain better understanding of the area. Over time, Freddie Drummond develops an alter ego, Big Bill Totts, who becomes more and more involved in the working life and labor organizing in the district. While making his ventures to the south, he meets and starts a relationship with the President of the International Glove Workers’ Union, Mary Condon. Still, when resuming his life as the professor, he continues to express Conservative opinions, side strongly with the employers and sharply condemn the same trade unions in which he is deeply involved in his other life. Freddie/Bill realizes that he cannot maintain his dual life and hopes to achieve happiness by Catherine Van Vorst’s side.
The story’s climax comes as Freddie and Catherine, quite accidentally it seems, run into a strike in the middle of Market Street. Here, we can observe Freddie’s moment of decision that takes places precisely between his two worlds. When recognized as Big Bill Totts, Freddie quickly morphs into Big Bill and joins the labor unrest leaving Catherine Van Vorst forever. In the end, Freddie/Bill had been correct. He could not maintain this dual existence. What he did not realize was which side of his personality would eventually win out and which would be discarded.[1][4]
Background[edit]
Jack London was born when his mother was living in the area at South Park, San Francisco. He had subsequently spent time during visits there and knew it well.
Major themes[edit]
Doubleness[edit]
Jack London examines doubleness in two dimensions – class and psychology. The former refers to the class division emphasized by the “slot” and the latter by the dual identity of the protagonist, Freddie Drummond.[5]
Naturalism (determinism)[edit]
As a naturalist, Jack London believed in the lack of one’s free will, in the determining forces of nature. Thus, in the story it is the environment that influences Freddie Drummond and his perception of himself. In the beginning, the reader is convinced that Freddie has accepted his role in the society, that he is content with his personality even with the existence of his alter ego. The conflict appears when Bill Tots falls in love. This is when “Big Bill” surpasses Freddie Drummond as he “emitted an unearthly and uncultured yell”[6]and decides to follow his heart and join the labor protest. Because of this, only the strongest can survive.
Socialism[edit]
This is one of the works in which Jack London's Socialist views are most strongly evident. The story is clearly slanted to give the reader the feeling that the protagonist has made the right choice, and that the life of a union organizer leading strikes and loving a fellow unionist is much preferable to that of a staid conservative professor with an upper-class wife.
References[edit]
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- ^ ab'South of the Slot'. The World of Jack London. Retrieved 28 May 2013.
- ^'The Strength of the Strong'. The Jack London Online Collection. Retrieved 28 May 2013.
- ^'South of Market Area'. San Francisco Chronicles. Retrieved 28 May 2013.
- ^'A Noble Theme'. Musings on Literature and Christianity. April 13, 2011. Retrieved 28 May 2013.
- ^'Jack London'. George Town University. Retrieved 29 May 2013.
- ^'South of the Slot'. The World of Jack London. Retrieved 29 May 2013.
Further reading[edit]
- London. Jack. 1979. No Mentor but Myself: a collection of articles, essays, reviews, and letters on writing and writers. Port Washington, N.Y: Kennikat Press.
- McClintock, James. 1975. White Logic: Jack London's Short Stories. Grand Rapids, Michigan: Wolf House Books.
- Pizer, Donald, 1966. Realism and Naturalism in Nineteenth-Century American Literature. Carbondale: Southern Illinois University Press.